Tag Archives: Elrond

Never before did I have such high expectations for a film than the second in Peter Jackson’s adaptation of The Lord of the Rings. I was nervous before seeing The Fellowship of the Ring, but after discovering its greatness, its clarity of vision, my hopes for the second in the trilogy soared.
The first scene in The Two Towers doesn’t disappoint. Gandalf’s pursuit of the Balrog down into the depths of the Misty Mountains is one of the greatest opening scenes of any movie I know. I was mesmerized that first time, and still am. By the beginning of the closing credits, however, had I my Faramir action figure I would have whipped it at the screen. The film contains too much Arwen, and too many seemingly nonsensical changes to Tolkien’s text, which often create holes in logic. (The elves fighting at Helm’s Deep? Where’d they go after? Are we to believe that every single one of them died??? And if they were free to fight there, why don’t they join the battles at Pelennor Fields and the Black Gate? The silly “telepathic” conversation between Galadriel and Elrond leading to the decision to send the Elvish army is overly expository, and nearly kills the tension of the middle act of the film. And Faramir? Tolkien’s character is a philosopher/warrior. Jackson’s is a bit of a weasel-dick. And even though the second film is a bit longer than the first, it covers about half the text. Many of Jackson’s scenes don’t appear in the novel. Instead of being disappointed of what was left out, many fans of the novel were disappointed in what was added.
But I was willing to give the film another chance, and I’ve learned to appreciate more with each viewing. Of three films The Two Towers benefits the most from the new and extended scenes in the cut playing in theaters this Tuesday. Flashbacks help to broaden Faramir’s character. While he’s still not the spiritual being he is in the novel, his treatment of Frodo and Sam now at least makes sense.
The most memorable new bits involve Merry, Pippen, and the Ents. Jackson pays homage to Tom Bombadil and Old Man Willow in a new scene when a Huorn (a wild tree without the consciousness of Ents) tries to ingest the two hobbits. In order to free them, Treebeard invokes the same command Bombadil uses in the Old Forest in the novel. The Huorns don’t appear in the initial cut of the film at all, even though they finish off Saruman’s army after the battle at Helm’s Deep. The extended cut contains that scene. (On Leno, Elijah Wood admitted that he didn’t understand why Jackson cut the scene. It’s really short, and really, really cool.) We also get to see Merry and Pippen discover all kinds of goodies in the ruins of Isengard.
So should you see the extended cut in the theaters? Absolutely! Sure, it’s the weakest of the three films. (Not all agree with this. In fact, for many of my friends who haven’t read the book, The Two Towers is their favorite of the three films.) But it still captures Middle Earth to the letter. It has a very different look than The Fellowship of the Ring. The plains of Rohan seem so much brighter than the Shire and Lothlorien. While there are weak bits, the hunt for Merry and Pippen is really well done, and our first real experience of Gollum is unforgettable. Sure, the siege of Isengard is way too short, but at least we get some of it. And the battle of Helm’s Deep? That alone is worth the price of admission.